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AI brand & fashion films
Scripted, art-directed and generated shot by shot, then edited and graded like any other film. Levi's Moving Day was made this way.
AI video
Generative video is now good enough to carry a brand film, if someone with taste directs it. We write the script, art-direct the stills, generate the shots, then grade and cut them by hand so the result looks like a commercial and not like a demo.
Levi's Moving Day: a 20-second fashion film made with AI stills, AI video and a hand-cut edit.
We use AI openly and label it. It is the fastest way to test ten ideas before committing to one, to make variations for paid social at volume, and, on the right brief, to make the whole film.
CGI, 3D and AI films are produced with WHY.CGI, the CGI studio founded by our partner Sebastian Bondo. You brief one team in Copenhagen and get the studio, the campaign and the distribution together.
From a single hero film to a weekly stream of ad creatives.
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Scripted, art-directed and generated shot by shot, then edited and graded like any other film. Levi's Moving Day was made this way.
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Hooks, variations and localisations for Meta, TikTok and YouTube, produced weekly so your paid campaigns never run out of fresh creative.
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Creator-style product videos and talking-head formats that look like a phone and perform like a campaign.
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Generative shots where they are fast, CGI where the product has to be exact. The same studio does both, so nothing is left to chance.
Every film here was made with generative AI in the pipeline and a human edit on top. Tap any film to see the case.
Films marked No AI were made without generative AI; AI marks the ones made with it. Work by WHY.CGI, the CGI studio founded by our partner Sebastian Bondo, opens on whycgi.media.
The point of fast creative is to test it. We connect AI films to paid distribution on Meta, TikTok and Google, learn which hooks sell and make more of those.
See paid ads and distribution ↗A film pipeline with AI in it, not an AI pipeline with a film on the end.
Story, shots and references before any generation. The brief becomes a shot list you approve.
Script · Shot list · References
We art-direct the key frames as stills, so casting, light and product read right before motion is added.
Key frames · Product fidelity
Each shot generated in multiple takes with today's best video models, then chosen the way a director picks a take.
Takes · Selection · Continuity
Cut by hand, graded, scored and mixed. Delivered in every format with the AI use clearly labelled.
Edit · Grade · Sound · Masters
For many briefs, yes, provided it is directed and edited by people who make commercials. Product-exact shots still go to CGI; we combine the two when needed.
The current best models for each shot type. The tools change monthly; the craft of scripting, directing, selecting and editing does not, and that is what you are buying.
Yes. We tell you exactly which shots are generative, and we recommend disclosing it where platforms or regulators expect it.
First variations within days of the brief; an ongoing weekly stream once the look and the winning hooks are established.
You do. Usage terms are agreed up front, and we keep the project files so new cuts and formats are quick.
Tell us the product and the audience.
We'll show you what AI can do for it.
Tell us a little about the project.
We read every brief personally and reply within one business day to . A confirmation is on its way to your inbox.